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Japanese Language Club South Africa
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It’s not often you associate Vincent van Gogh — the tortured Dutch genius of Starry Night fame — with anime fans in Pikachu hoodies. But standing in front of Utagawa Hiroshige’s woodblock prints this weekend, I realised something: Van Gogh was, in many ways, the original weeb. In the 19th century, Japan had just re-opened to the West after over two centuries of isolation. Japanese woodblock prints — known as ukiyo-e — flooded Europe, captivating artists who were tired of rigid academic painting. Among the most enchanted was Van Gogh, who not only collected hundreds of prints but also integrated their style directly into his own work. Take his Flowering Plum Orchard (after Hiroshige), a near-direct copy of one of Hiroshige’s prints. Or The Bridge in the Rain (after Hiroshige), where Van Gogh even emulated the Japanese calligraphy with squiggled nonsense in the borders to mimic the original. This wasn’t casual inspiration — this was earnest, obsessive homage. In his letters to his brother Theo, Van Gogh wrote passionately about Japan as an artistic utopia. “All my work is based to some extent on Japanese art,” he declared, imagining Japanese artists as monks, spiritually attuned to nature, colour, and simplicity. He fantasised about going to Japan, believing it to be a land of light, harmony, and pure artistic expression. His mental image bore little resemblance to reality — but isn’t that true of many modern Japanophiles? Like today’s weebs romanticising Tokyo as a land of cherry blossoms and 24-hour vending machines, Van Gogh fell in love with an ideal. But his obsession bore fruit: the Japanese influence sharpened his colour palette, flattened his perspective, and helped break with Western tradition. Reflecting on his 1888 drawing The Countryside along the Shore of the Rhone Seen from Montmajour, Van Gogh wrote to Emile Bernard: “An immense flat expanse of country — seen in bird’s-eye view from the top of a hill… streaming away like the surface of a sea towards the horizon… It doesn’t look Japanese, and yet it’s the most Japanese thing I’ve ever made.” He may not have owned a body pillow or cosplayed at Comic Con, but Van Gogh’s immersion in Japanese aesthetics, his idealisation of Japanese life, and his fan-like devotion to its art mark him as a proto-weeb. Just swap Hiroshige for Hayao Miyazaki, and it’s not so different. So next time you see someone getting misty-eyed over Kyoto or buying a katana on Etsy, remember: Van Gogh walked so they could Naruto-run.
Van Gogh the Original Weeb Read More »
Here is an article on Governance in the Age of AI! Whether you’re a politician or an economist at heart! This article will definitely get you thinking. Co-written by Emma Ruiters. Lessons From Japan: Governing in the Age of AI
JLCSA in the news! (External Articles) Read More »
When it comes to sweets, very few countries turn dessert into an art form quite like Japan, and wagashi are its shining stars. These traditional Japanese confections, often served with tea, are as much about aesthetics and symbolism as they are about taste. But what makes these treats so special? Let’s dive into the delightful world of wagashi! A Feast for the Eyes Wagashi are miniature works of art, often inspired by the seasons. From sakura blossoms in spring to crimson maple leaves in autumn, these sweets beautifully reflect nature’s changing landscape. Crafted from ingredients like mochi (rice cake), anko (sweet red bean paste), and kanten (agar jelly), wagashi are moulded, painted, and sculpted with painstaking precision. They’re so beautiful that eating them can feel almost sacrilegious—almost. (Image from EatCookExplore.com) Not Just Sweet, But Symbolic Each wagashi carries a story. Some represent good luck or prosperity, while others are tied to cultural festivals. Take hanabira mochi, traditionally eaten during New Year, symbolising renewal and harmony. Or taiyaki, a fish-shaped pastry often filled with red bean paste, symbolising luck and fortune. These treats aren’t just delicious—they’re meaningful. Perfect Pairings Wagashi are typically enjoyed with matcha—the rich, slightly bitter powdered green tea. The sweetness of wagashi balances the tea’s astringency, creating a harmonious flavour profile that’s quintessentially Japanese. This pairing is a staple of traditional tea ceremonies, where every detail, down to the wagashi, is a carefully curated experience. Modern Takes on Tradition While wagashi have deep historical roots, they’ve evolved over time. Modern wagashi may include unexpected flavours like chocolate or coffee or come in quirky shapes, such as characters from anime. This blend of tradition and innovation ensures wagashi remain popular in contemporary Japan and beyond. Why Try Wagashi? Whether you’re a foodie, an art lover, or simply someone with a sweet tooth, wagashi offer a unique way to experience Japanese culture. Their exquisite craftsmanship and delicate flavours are a reminder to slow down and savour life’s small pleasures. So next time you spot these colourful confections, don’t just marvel—take a bite. After all, nothing tastes as good as edible art!
Wagashi: Japan’s Sweet Little Wonders Read More »
In recent years, Japanese Foreign Direct Investment (FDI) has been rising in African countries. A new development has been that Japanese FDI has been flowing to information and communications technology (ICT) & Digital Technologies. African countries are growing rapidly which is likely underpinning rising investment, but African economic development is already demonstrating some points of departure from the industrialisation or development experiences of the late industrializers in Europe and Asia. Indeed, digital technologies have fuelled the rise of new business models across the continent where e-commerce, e-hailing and mobile money are increasingly ubiquitous even in underdeveloped settings. Indicators show consistent levels of digital & ICT technology adoption across African countries, suggesting strong signs of emergence in this space. However, digital ecosystems require high levels of capital investment and institutional development, which are increasingly becoming minimum standards of competitive industry. Japan’s modern relations with African countries are marked by a growing trend of investment and commitment to economic development through foreign aid. However, there is evidence that, since 2016, there has increasingly been a shift towards public-private partnerships as well as increased interest from the Japanese private sector. This has been driven by public institutions such as the Japan International Cooperation Agency (JICA) as much as the private sector, and it has also seemingly been an organic transition, driven by domestic factors in the Japanese economy as well as the high growth of African economies. Overall, as Japanese global FDI, outflows have been rising steadily since the early 2000s. Thus, with a global uptick in outflows, it is unsurprising that African countries are also experiencing increased FDI flows. In 2021, Japanese FDI net flows to Africa sat at US$3.5 billion.[1] For comparison, in 2018, Chinese FDI flows to Africa sat at US$5.5 billion.[2] Headwinds in the Japanese economy may be part of the reason for rising FDI. Manufacturing is slowing, Japan’s expansionary monetary policy regime continues and the yen is at its weakest in 2022 since the 1990s.[3] Amidst Prime Minister Kishida’s push for a New Capitalism, domestically, Japan is facing its own push towards digital transformation, which the government hopes to guide through the conceptualisation of Society 5.0 which envisions the resolution of social problems and economic advancement through the application of new technologies. Masayoshi Son is (in)famous for his Softbank Vision fund, at US$100 billion it is the largest tech-focused investment fund in the world.[4] Rising global Japanese FDI may reflect the significant cash reserves of Japanese corporations held on their balance sheets. 53% of Japanese companies on the Topix index are net cash, compared to only 14% of US companies in the S&P 500.[5] Non-financial companies on the Topix 500 maintain US$2.6 trillion of tangible assets.[6] Japanese firms are notable in that financing is still often derived from relational banking rather than international capital markets or the stock market thus resulting in Japan’s remarkably low levels of FDI. This has enabled Japanese companies to limit cash dividends and retain earnings. Further evidence of a government push to unlock corporate savings is, in 2022, Japan’s government and business sector pushed for increased planned capital investment, which includes encouragement of global expansion for Japanese startups. Japanese companies are aiming to invest 25% more into equipment, real estate and other physical assets from 2022 to advance in decarbonisation.[7] The Government Pension Investment Fund (GPIF) of Japan, one of the world’s largest institutional investors, will begin investing in Japanese startups.[8] Thus, it’s likely these reforms including Shinzo Abe’s corporate governance reforms will have had some acceleratory effects on FDI as the reforms are supportive of outward-bound M&A (mergers and acquisitions) through tax reforms and deregulation as reflected in increasing outflows in FDI.[9] Simultaneously, the Japanese economy has also encountered difficulties in the face of digitalisation. Deindustrialisation, increased financialisation, inequality and rising job insecurity have also become more pronounced in Japan. Japan has also lost competitiveness in its historical areas of ‘comparative advantage’ such as electronics and telecommunications.[10] Japanese businesses have begun using M&A as a means to build out new technology niches and expand their market presence to seek new customers.[11] Thus, they are becoming increasingly global. Japanese banks are also acquiring foreign banks and developing M&A advisory businesses for foreign markets. There is also the phenomenon of ‘Japan Inside’ where Japanese high-value manufactures are critical inputs to the production processes of even highly industrialised South Korea and Taiwan.[12] Japanese companies are exiting non-core businesses and redefining business focusses. An example may be Sony’s recent diversification into a non-traditional industry, namely, into the automobile sector through imaging sensors. In 2022, Sony launched an Electric Vehicle (EV) division, as well as a joint venture with Honda to make cars.[13] Correspondingly, Japanese private sector actors, namely trading companies and Venture Capital (VC) funds, have utilised M&A, private equity and venture capital as tools to enter the African market, namely in sectors ranging from healthcare, logistics and mobility, and energy. Largely, however, China has not penetrated the market in the same way. In the VC space in particular, the USA, EU countries and the UK are seen as competitors by Japanese firms. It can be argued that part of the reason for Japan’s struggles to make itself prominent in the African market is precisely because of the fierce competition in both the public and private sector from other global powers. But it is undeniable that Japan’s own, unique economic imperatives are increasingly shaping its interest in Africa, rather than external influences, and its business practices remain unique. Several Africa-focused VC firms have emerged such as Samurai Incubate, Leapfrog Ventures, and Kepple Africa, amongst others. Regardless of their intentions, unlike their success in Asia, Japanese investors have long struggled to penetrate the African market. Interviews that I conducted with firms, as well as other reports, suggest that initial forays into the African market, with the business practices of South Asia in mind, were fruitless and fraught with miscommunication. There was some degree of information asymmetry on both sides, which led to frustrations. Nonetheless, new ways of partnering and doing business are at present being sought by
Japan’s Foreign Direct Investment into Africa’s Digital Economy is Rising Read More »
The value of the international video game industry is projected to reach $366bn this year, with mobile games comprising a significant chunk of that. About one in three people worldwide play games in some shape or form. While much of the industry is focused on the US, Japan and China, with the former two making up the vast majority of console hardware production, there is still huge potential for software development that is not bound by region. An oft-overlooked avenue for economic development is gaming – yes, video gaming. It’s an immersive experience on either a console or your mobile phone that has the rare distinction of packaging not just a story, but also art, music, geography and culture. For many people, video games are windows into cultures and geographies far from home. This makes games an opportunity for Africa to tell its own story. But despite some promising signs, there is a lot still to do. Games reach audiences in an immersive way that other mediums can’t do, virtually replicating the experience of being in a particular place or time while interacting with your environment. For example, the effects of films encouraging tourism have been well documented; for Rwanda, Gorillas in the Mist increased tourism by 20% in 1998. Out of Africa spawned a surge of tourism to Kenya – a report by the Kenya Wildlife Service and Kenya Tourism Board found that 70% of respondents based their first trip to that country on what they’d seen on film. Visitors to the National Wallace Monument in Scotland increased by 300% in the year of Braveheart’s release. Increasingly, the same has been found for games. Video games can be a way to both preserve and transmit culture. One can consider the passive absorption of Japanese culture through things like Pokémon, Yakuza or the old fighter games which introduced entire generations to karate and other martial arts. And those who have played games like Grand Theft Auto have become very familiar with the fictional cities presented in the game that feature real-world monuments and are based on real places in the US. The value of the international video game industry is projected to reach $366-billion this year, with mobile games comprising a significant chunk of that. About one in three people worldwide play games in some shape or form. Africans are gaming The African continent currently stands to grow significantly in terms of representation in games and domestic production of games. Nyamakop’s Squish, Africa’s Legends by LetiArts, Qene Games, Usiku Games and Khanga Rue are some local games and local developers, but the numbers are relatively small, and, as yet, no AAA African games exist (these are games that have higher development and marketing budgets than other games, akin to a movie blockbuster). But Africans are gaming. Almost half of South Africans play video or mobile games, according to the 2022 State of the African Games Industry report. The sector generated $290-million in 2021. Other markets include Ghana, Nigeria, Kenya and Ethiopia. Africa has the youngest, fastest-growing population in the world, and is growing its mobile subscriptions more rapidly than any other region. It would certainly be an oversight not to focus on this critical sector. However, there is a risk that international portrayal of African settings once again “sets the narrative” about the continent, which Chimamanda Adichie Ngozi warned of in her speech about the danger of a single story, where the repeated depiction of a particular image or people becomes the only understanding of them. There are only a handful of games that feature African settings. Other than sports games or those set in ancient Egypt, the images of Africa rather depressingly revolve around war, conquest or conflict. In Far Cry 2, the player explores an unnamed Central African country torn by civil war, and players are challenged to set bushfires in the savanna. Resident Evil 5, in which the player shoots zombified Africans was, of course, poorly received at the time of release. The rich culture and diversity of African countries are notably absent. All-round benefits A homegrown African game can employ artists, designers, programmers, musicians and composers. It can tell a new story with new themes and is without doubt a fun vehicle for soft power. The game can tangibly boost the economy through tourism and increased brand value. The IP associated with games can live on in other media: movies, Netflix series, merchandise and spin-offs. All of this can feed into jobs, tax revenues and prosperity at home. Cape Town is already leading the way in South Africa when it comes to the film industry, which is supported by the government through incentives. It is also emerging as a tech hub through increased presence of tech companies (more than 450 in Stellenbosch alone, and employing more than 40,000 people), and perhaps gaming is the next frontier for this innovative city. There have already been some green shoots in this area. Recently, Wesgro entered the metaverse by creating an interactive replica of Table Mountain, including fauna and flora, in Roblox, to encourage younger players to learn more about Cape Town and the biodiversity of the famous mountain. As games grow and take off, the local ecosystem benefits at the same time. The games industry can support development of expertise in the emerging fields of virtual reality, augmented reality, 3D modelling (which ties in with additive manufacturing) and 3D printing, as well as artificial intelligence, which many games employ extensively. Gaming is not just a fun way to pass the time – the industry is a tangible component of technological advancement, economic development and identity that we across the continent should not miss. To maximise the benefits of the tech revolution, African nations must be creators and not just users of technology. DM/MC Credit: Daily Maverick
The video game industry has many opportunities Africa should seize Read More »
Former MSc in Japanese Studies student Emma Ruiters publishes another article on Japan-Africa. My strange and sometimes wholly disparate loves. Trying to bridge South Africa and Japan, and increasingly looking at other African countries, has been my strange passion for so long now, but I still struggle to really articulate to people, without blushing sometimes, why I’ve spent so much time learning such a difficult language, why I see an opportunity in this space, and why I see it as so rewarding. I truly hope my Japanese journey continues, even as it takes so many unexpected turns (to Oxford, then, to London). It strikes me sometimes that it’s been nearly 3 years since I started the Japanese Language Club of South Africa, which rapidly grew, and continues to do so. Yes, it is a challenge keeping things going from overseas, while having a job, etc, but I’m still learning and growing, as is the club, and we’re still on the long and winding path onward…onward… Credit: Nissan Institute of Japanese Studies
MSc in Japanese Studies student Emma Ruiters publishes another article on Japan-Africa Read More »
There has been renewed global interest in the continent, with large, young populations as potential consumer markets While China is experiencing a slowdown, the Financial Times recently named Japan one of the “Economic Wonders of a Worried World”. Is there a new sun rising in the east, and to whom should African nations look for increased investment? There has been renewed global interest in African countries, with large, young populations as potential consumer markets. Many African countries have rapidly growing economies with a burgeoning affluent class. The UN has shown that of the world’s top 30 fastest-growing cities between 2018-2035, 21 will be in Africa, including Kampala, Uganda, and Abuja, Nigeria. African cities are urbanising the fastest, which is generating new demand for goods, services and infrastructure. Coupled with positive population growth and a young population, many commentators see African countries as possessing a demographic dividend that will further fuel growth, while the African Continental Free-Trade Agreement (AfCFTA) will unlock intra-African trade potential across the continent. Industrialised nations have taken note, competing to secure access and market share. Facing an ageing population and declining levels of nominal domestic growth, low-debt and cash-rich Japanese companies see African countries as promising markets. Japanese investment into has Africa risen significantly in three stages: from 1983 to 2021, Japanese foreign direct investment (FDI) increased 2,575%, and in 2007/8 as well as 2015/16 there were signs of notable acceleration. The late Shinzo Abe’s leadership in advocating for business advancement into African markets drummed up interest from the Japanese private sector, and rising competition from other international actors in the continent due to demonstrable high growth is starting to make investors sit up. Japan’s engagement on the continent is not new. This year, the eighth Tokyo International Conference on African Development was held, hosting over 300 business leaders and 50 African heads of state. The message was overwhelmingly optimistic, naming the high return on FDI in Africa at 11.4% above the global average of 7.1%. Fierce competition Further, Japanese investors are no longer looking solely at infrastructure. Rather, they are investing in African start-ups and private companies, as well as Africa’s rapid digital transformation. They tend to favour the traditional sectors of consumer goods, infrastructure and logistics, but also increasingly fintech and autonomous vehicles. China has not penetrated the market in the same way. In the venture capital (VC) space it is the US, EU countries and the UK that are seen as competitors by Japanese firms. It can be argued that part of the reason for Japan’s struggle to make itself prominent in the African market is precisely because of the fierce competition in the public and private sectors from other global powers. However, it is undeniable that Japan’s own, unique economic imperatives are increasingly shaping its interest in Africa. Several Africa-focused VC firms have emerged, such as Samurai Incubate, Leapfrog Ventures, and Kepple Africa. Japan was and is a major funder of economic development, growth and industrialisation in Asia, from South Korea to Thailand and beyond. However, Japanese investors have long struggled to penetrate the African market. Even so, it is increasingly being perceived as a priority due to saturation of Japanese engagement in South East Asia and high-levels of competition from other late developers in this increasingly attractive region. Initial forays into the African market, with the business practices of South Asia in mind, were fruitless and fraught with miscommunication. There was some degree of information asymmetry on both sides, which led to frustrations. Yet, new ways of partnering and doing business are being sought by Japanese firms in the African market. Many analysts have emphasised the ageing, feeble Japanese economy in recent years. This is not inaccurate, but often lacks nuance. Masayoshi Son is (in)famous for his Softbank Vision fund, at $100bn the world’s largest tech-focused investment fund. This is not unique. Rising global Japanese FDI may reflect the significant cash reserves of Japanese corporations held on their balance sheets. Acceleratory effects About 53% of Japanese companies on the Topix Index are net cash, compared with only 14% of US companies in the S&P 500. Non-financial companies on the Topix 500 maintain $2.6-trillion of tangible assets. Japanese firms are shifting towards increased market liberalisation. The government has also pushed to unlock corporate savings. This year Japan’s government and business sector are pushing for increased planned capital investment, which includes encouragement of global expansion for Japanese start-ups. Japanese companies are aiming to invest 25% more into equipment, real estate and other physical assets from 2022 to advance in decarbonisation. The Government Pension Investment Fund (GPIF) of Japan, one of the world’s largest institutional investors, will begin investing in Japanese start-ups. Thus, it’s likely these reforms, including Abe’s corporate governance reforms, will have had some acceleratory effects on FDI as the reforms are supportive of outward-bound M&A through tax reforms and deregulation, as reflected in increasing outflows in FDI. Under Abe’s third arrow of Abenomics, corporate governance reform has ensued, starting with the Japanese Stewardship Code in 2014 and the Corporate Governance Code of 2015. Japan’s challenges have also spurned a new global engagement strategy. Ulrike Schaede’s conceptualisation of the choose-and-focus approach describes Japanese businesses as using M&A as a means to build out new technology niches and expand their market presence to seek new customers. This has been through an increase in global M&A, in which Japanese firms are acquiring foreign firms as “an integral part of the second wave of choose-and-focus”. Japanese banks are also acquiring foreign banks and developing M&A advisory businesses for foreign markets. Companies are exiting noncore businesses and redefining business focuses. An example may be Sony’s recent diversification into a non-traditional industry, namely into the car sector through imaging sensors. In 2022, Sony launched an electric vehicle division and a joint venture with Honda to make cars. Correspondingly, Japanese private sector actors, namely trading companies and VC funds, have used M&A, private equity and venture capital as tools to enter the African market, in sectors ranging from
Japan offers nearly $60bn chance to Africa’s start-ups amid fierce competition Read More »
When I first started learning Japanese, I read a few ‘hot take’ articles by casual learners who had advised that one should not or need not learn kanji to become fluent in Japanese. At the time, I scoffed; and, to be honest, now that I have been learning Japanese for nearly seven years I scoff even more. To speak good Japanese you absolutely need to learn kanji. But for English speakers, kanji is by far the most intimidating part of the language. There are about 2136 ‘must-know’ kanji but the average university educated Japanese person will know a few more. However, as challenging, frustrating and intimidating as it is to learn kanji, it is not an optional part of learning Japanese. It is critical to understanding the language. Kanji is an ideographic script imported from China. Kanji, translated, literally means Chinese characters. Unlike phonetic scripts like the alphabet, kanji do not necessarily have an associated sound but rather the symbol or shape embodies a particular meaning. If you see 火 it means fire. The sound it will ‘make’ when you read it depends on the kanji around it or the context of the sentence. For example, 花火、火曜日、小火、or 火花. The first means fireworks and is pronounced hanabi. The second means Tuesday and is pronounced kayoubi. The third means small fire and is pronounced boya. The fourth is the reverse of the first but it means sparks and is pronounced hibana. Thus, one kanji can be pronounced in multiple ways. In other words, when you learn Kanji, meaning is everything. This is what makes kanji so complex. It is largely about recognition before it is about cognition. For the new learner this must seem completely impossible and insurmountable. Seven years in, I can assure you it isn’t. It will take time and effort, but it is not impossible. I believe that learning kanji, although arduous, follows the Increasing-Returns learning curve. This means that it is punishingly difficult to learn at first but the longer you keep at it, the easier it gets. There comes a point where you may sometimes be able to read kanji that you’ve never seen before, in different compound combinations, simply because you understand how they work. Source: Ebbinghaus Theory of Increasing Returns Learning Onyomi, Kunyomi, Rendaku, Reigai and AtejiAt a simplified level, each kanji is read either in its Chinese pronunciation (onyomi) or its Japanese reading (kunyomi). There are some broadly applicable rules that should serve as loose guidelines for reading. Broadly, onyomi are often compound words of two or more kanji. For example: 読書 (dokusho, reading) and 学生 (gakusei, student). Modern Japanese, like many languages, is an unfortunate love child of years of introducing other languages that do not always mesh well together. Japanese people imported Chinese words in the 5th century AD, and proceeded to apply ‘incompatible’ Japanese grammar and speaking patterns on top of those imported characters. Filtered through Japan’s lower phoneme language, Chinese sounds were altered and simplified changing sounds like 家 jia for house to ka in onyomi. 大 went from da in Chinese, to tai or dai in Japanese. While 大家 in Chinese means everyone and is pronounced dajia, the same in Japanese means landlady, expert or large house (depending on the pronunciation ooya or taika). The modern kanji system is like a trojan horse of 5th Century Chinese in a Japanese accent. But it doesn’t mean you’ll be able to speak Chinese at all if you master kanji. Often, kunyomi tend to be kanji that are standing alone in a sentence, such as 花 (hana, flower) or 水 (mizu, water). They also tend to be used for verbs. If you see a verb (which you will know because the kanji should usually be attached to some hiragana) then you should USUALLY pronounce it with the kunyomi reading. Moreover, kunyomi readings are employed in cases of compound proper nouns such as 清水寺 pronounced as kiyomizudera (a famous temple in Kyoto) rather than seisuiji. But this is not necessarily always true, as the cases of 花火 (hanabi) and 火花 (hibana) show. Which both utilise the kunyomi readings of their Kanji. Moreover, as the observant reader may notice in hanabi the 火 is pronounced as bi rather than hi, and in hibana, the 花 is pronounced as bana rather than hana. WHY?! Well, that’s because of rendaku. Rendaku happens when a particular sound is repeated in Japanese. 人々 should be pronounced hitohito but because of rendaku it becomes hitobito. 時々would be tokitoki but because of rendaku it becomes tokidoki. This is usually a very regular process, however, with the addition of Chinese words and kanji in the 5th century, rendaku was applied to these imported words causing some exceptions. Most Kanji have one onyomi and one kunyomi and potentially a rendaku pronunciation for each. But some have more than one onyomi and more than one kunyomi and several reigai (exceptions). These tend to be for more commonly occurring kanji, thankfully, so you should very quickly be able to recognise them when they do come up. There are countless exceptions however. No matter how many broad patterns you learn, there will always always be places where a compound word uses onyomi and kunyomi such as the word onyomi itself which is 音読み rather than ondoku or otoyomi. These are called Juubako-yomi or Yutou-yomi. To summarise the lessons we have learned above we will consider the kanji below, 生, which means life. As is evident, it has many many pronunciations depending on the sentence. Thankfully the hiragana should usually give one a clue of which one it will be read as. Source: Jisho.org SRS and Outpacing the ‘Forgetting Curve’ It takes years even for Japanese people to learn how to read Japanese. The Japanese schooling system introduces Grade Ones to 80 kanji. Grade Twos learn 160 kanji, and these numbers increase as children get older. Once you’re in highschool you will likely be able to read and write all 2136 Jouyou kanji. This is required
Why Kanji is the Backbone of Japanese & How to Learn It Read More »
African countries and Japan have a natural synergy, and South Africa is no exception. The African continent boasts the youngest population in the world with an average age of 17. The world’s fastest growing economies and fastest urbanising cities are all in Africa. But there is still a significant lack of investment, poverty and underdevelopment that plagues many African nations. But the lion is stirring. Japan, the world’s third biggest economy, is the world’s fastest aging society with more than 20% of its population over the age of 65. Nonetheless, Japan remains a capital rich, innovative country with a large population of about 110 million people, larger than the UK, France or Germany. Japan also boasts high rates of saving and its investors are seeking bankable business opportunities outside of an economy wracked by deflation. With these complementary challenges and opportunities, the future of Africa and Japan should certainly be closely linked. Already, Japan’s former prime minister Shinzo Abe, along with South Africa’s president and the head of Africa Union, Cyril Ramaphosa emphasised the need for closer connections between Japan and Africa through the Japan-Africa Business Forum in 2019. JICA, Japan’s foreign aid agency, a long term supporter of infrastructure projects in Africa, is investing more and more into digital economy, business, innovation and entrepreneurship opportunities across the continent through its Ninja business programme and other initiatives. With South Africa’s critical economic and social challenges, Japan’s development initiatives could be impactful in the creation of new opportunities, youth employment and fulfilling livelihoods. South Africa and Japan already have a long, albeit little known history, as Dutch East Indian Company traders who had stopped in the Cape conveyed South African goods like animal skins and other items to the trading island of Dejima – the only open port in Japan during the 1600s that allowed trade with foreigners. That, arguably, makes South African one of Japan’s oldest trading partners. Today, Japan is South Africa’s sixth largest export market and 8th largest import market (2019). Bilateral trade between the two countries stands at $7.1 bn. In particular, Japanese companies like Toyota, Nissan, Isuzu and Mazda are key players in South Africa’s automotive industry which is a sector that is a significant contributor to GDP at 6.4%, comprises 27.6% of South Africa’s total manufacturing output and directly employs 110 000 people. In 2020, more South Africans than ever are interested in Japanese culture, learning Japanese and buying Japanese products. This is in no small part due to the soft power of Japan magnified globally through entertainment, media and gaming. Since the 1990s, many South African children can remember growing up watching Japanese shows like Pokemon, Digimon, DragonballZ, Yu-Gi-Oh and others which played on SABC2 in the afternoon after school. Japanese foods like sushi and ramen, and increasingly, drinks like gin and whiskey are extremely popular in South Africa as well. However, chances to foster closer relationships with Japan are scarce. There are few opportunities to formally learn Japanese in South Africa. The University of Pretoria partnered with the Centre for Japanese Studies, established in 2011, the Centre is an organisation which promotes cooperation between South and Japan, and provides some introductory courses in Japanese, however, no universities in South Africa offer a major or beginner to advanced language courses in Japanese. Two programmes are available for South Africans who wish to work or study in Japan: the JET programme offered to those wishing to teach English in Japan; and, the ABE programme for Africans wishing to study in Japan at a Masters or PhD level. Companies like Samurai Incubate, And Africa and JETRO do provide opportunities for South African businesses to connect with Japanese investors and markets. There is, of course, still more to be done. More opportunities are required for South Africa and Japan to truly take advantage of the latent synergies that exist. The Japanese are notoriously risk-averse investors and may require some coaxing, reassurance and trust-building from African partners of the opportunities that are abound in Africa. At present, market intelligence and insight is limited. Thus, both South Africa and Japan may benefit from a closer understanding of each other’s cultures and values. As South Africans know well, knowing someone else’s language is an important way to show respect and gain trust. South Africans deeply resonate with the spirit of ubuntu which embodies compassion and humanity which is echoed in the Japanese concept of Wa which translates to harmony and underpins much of the empathy and unity of Japanese society. There is a critical need to foment further mutual cultural and linguistic understanding for further cooperation between Japanese and South African businesses, startups, investors, consumers, governments and civil society. Moreover, as Japan seeks opportunities for investment and collaboration across the African continent, South Africa must find ways to stand out from its peers. While the internet has provided many with opportunities to access language teachers and materials, this is largely still restricted to those who can afford it leaving many South Africans out of the loop. An impactful and equitable enabler may be to create channels of access to accredited Japanese language learning resources, funded exchange programmes for students to Japanese institutions, and wide-scale low cost platforms for business and entrepreneurs to access Japanese markets. The first step to a fruitful collaboration is always understanding and friendship. While living in Japan, I met a Japanese man who gave an unusual answer to the question, posed in Japanese, ‘What do you know about South Africa?’ Until present, many answers had been around gold, diamonds, safari and Mandela. Unexpectedly, the man said that he loved South Africa because of the luxury Blue Train which many Japanese densha otaku – people who are obsessed with trains – were fascinated by. There is a sense that there is more to share beyond the conventional wisdom, and unique impact for South Africa to make in a still mysterious market. South Africa and Japan should look to strengthen a remarkable relationship in as many ways as possible.
SA needs to use its noodle to boost Japanese ties Read More »